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Data Transfers blur the boundaries between the histories and practices of analogue photography and painting into a realm where the pixel levels the playing field for all kinds of image data.
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Scatter Plots play on the essence of the digital image as a grid of data points. In this series I explore the possibilities of the pixel as both medium and metaphor.
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In Construction Sites phase II I use digital data from photographs of actual construction sites to de- and reconstruct the image.
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Virtualities II document my travels through the datascapes of Second Life.
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Data Mulch merges an interest in image erosion and data loss with a desire to recycle gigabytes of unused image data clogging up the ecosystem of my computer hard drive.
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Screen Captures, a triptych, explores the screen as a semi-permeable membrane between the virtual and the real.
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